Recently in Streets is Talking Category

R.E.M. Retires, How to Retroactively Enjoy Their Work


Michael Stipe
and co. called it quits on Wednesday, after several harmonious decades as R.E.M. This is somewhat of a bummer, though it'd be disingenuous to claim any sort of long-standing fandom of a band enjoying its heyday as ATG sucked back pacifiers. But as music fans, there's an inherent need to cover the right bases when landscape changes occur. ATG reached out to the pre-eminent R.E.M. scholar in the field, my buddy Josh Bradshaw:


"Before you start, watch Michael Stipe in this clip from The Adventures of Pete and Pete.

R.E.M.'s career is neatly divided between the IRS years (80-88) and their Warner Bros albums (88'-94/96')...and well, the 'meh' years (94 or 96'-now).

I'd recommend starting with the IRS compilation,
Eponymous to see which albums the tracks you like are on, then going from there to explore their '80s work. Murmur's great but I feel it's one of those historically hyped albums that's easily disappointing.

Green, Out of Time, and Automatic For The People are the huge albums. Out of Time is easily the poppiest and most divisive (i.e. the "Shiney Happy People" song). Green's a bit heavier and darker (for R.E.M.) and Automatic is one of the best albums ever recorded by anyone ever.

It gets kinda dicey after that. Monster and New Adventures in Hi-Fi were their last solid albums. Up and Reveal had some good singles but are pretty mediocre. Around the Sun will put you to sleep. If you've managed to get hooked, save Accelerate and Collapse Into Now for last, they are great to end on, but, I dunno, they don't mean much if you haven't heard their previous work."

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Decision: That New Wale Tape

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D.C.'s
most famous rapper, Wale, returns with a Maybach Music-backed mixtape, The Eleven One Eleven Theory. A little long, but full of worthy material. Wale is one of rap's good guys, so ATG hopes he rises again with this fall's Ambition. Though, for the most part, ATG dug Attention Deficit.
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Late, Superfluous SXSW Coverage (With Pictures)

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All photos by Callie Richmond for ATG.

Here's an itemized breakdown of the sites and sounds Reggie and I experienced during March's South by Southwest Music Conference in Austin, Texas. It was fun and intense. More importantly, hit the jump to sample ATG's avalanche of wonderful, exclusive photos taken and procured in the name of hip-hop.  

Reggie

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Ramon

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This Happened: Diddy, Lil B

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Photo by Callie Richmond for ATG.

Reggie and I spent the South by Southwest music conference comparing notes and writing for others. ATG will come through with blessed recaps and astonishing photos from an unreal week of hip-hop that boasted staggering levels of star power.

Yes, we got into Kanye: I had to make moves bro, put my shades on and walked in through the VIP line.

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ATG10: The Year in Hip-Hop [Songs]

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All photos by Callie Richmond for ATG.

First, the internal, editorial decision was made to give up on the medium and forgo a rundown about rap videos. There were some cool ones, but listing them wouldn't be indicative of what was being bumped in the clubs, the streets, the subways, the cars, and through the earphones. More importantly, there's no competition.

As individualistic and fickle as listeners continue to be, this year-end list is defined by uniting, thumping moments that kept everyone zoned out in headphone bliss for days on end. In 2010, heavyweights emerged and veterans forcefully pushed back, but not in a Raekwon v. Kid Cudi, two schools sort of way like last year. By now we all understand it's all good. With such a precondition firmly in place, creativity burned down regional barriers like never before. Save for New York City's inbred, traditionalist talent pool (good luck there pushing Vado, you guys), American rap soared and 2010 will stand along any year's genre output.

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Shameless Plug: What Fiona Did to Get Her Dream Job

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Reggie on a friend's dignity-eroding, social media-based challenge taken on for the benefit of a summer internship. He puts the thing in generational context, it's a great read penned for The Awl.  

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Why won't you forgive Lindsey Lohan? An inquiry

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Reggie penned his first feature for The Awl Wednesday afternoon. It's a categorical analysis of celebrity offenses and their respective roads to public redemption. It's a fairly shallow analysis but the graphic is cool and as a blog post, it kicks ass.

Congrats bro.
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Joke rap arrives and it's hilarious

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Graphic by Ramon Ramirez.

Woke up this morning with a mission to praise the emergence of funny, learned hip-hop. Then I found a Village Voice feature from last week that made all my points. To recap: the stuff is bump-worthy, smart, "deftly written from inside the culture," and you should pay attention. Check out Sean Fennessey's piece.

The only difference of opinion Fennessey and I harbor is that Don Glover, whom I am a fan of, has yet to show me much as a rapper in his two throwaway, shitty mixtapes. It's just badly timed rhyming over indie rock loops.

And if you haven't already, get the Das Racist mixtape.
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SXSW 2010: Enoyable rappers who will be there

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No, not Kanye West, who sorta surprised everyone last year by not only showing up for numerous shindigs, but also played three hour retrospective sets. This year's list of national names is quite enormous, offhand it's the most comprehensive rundown of relevant hip-hop SXSW has ever presented. Below is a list of confirmed names you've probably heard of. This does not include local talent, foreign talent, or the black hole of underground names; we're still sorting out those showcases.

  • Chalie Boy
  • Paul Wall & Chamillionaire
  • Madlib
  • Peanut Butter Wolf
  • Broken Bells
  • Reflection Eternal
  • Jean Grae
  • 8Ball & MJG
  • Nappy Roots
  • Sage Francis
  • Killer Mike
  • GZA
  • Slum Village
  • Mayer Hawthorne
  • Theophilus London
  • Kid Sister & Flosstradamus
  • Donnis
  • Pharoahe Monch
  • B Real
  • Skyzoo
  • 9th Wonder
  • Sean Price
  • Mickey Factz
  • Murs
  • Freeway
  • Evidence
  • Donald Glover
  • Black Milk
  • Tanya Morgan
  • Xzibit
  • Charles Hamilton
  • Rhymefest
  • The Cool Kids
  • 88 Keys
  • Freddie Gibbs
  • J. Cole
  • Wiz Khalifa
  • Pac Div
  • Pill
  • Fashawn
  • Yelawolf
  • Nas
  • Damian Marley
  • Big Sean
  • Shawn Chrystopher
  • Bun B
  • Mike Posner
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Streets Is Talking: Rebirth

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Taking their temperature.

We'll weigh in tomorrow, but on the eve of Lil Wayne's Rebirth -- the rock album outlets have been reporting about for well over a year -- critical reception is scathing, we've gone through scrapped Fall Out Boy, Lenny Kravitz duets, three covers (the above is one of the tossed inceptions), two other official releases (We Are Young Money, No Ceilings), two Grammy gigs, and with jail pending, this may be the last meaty bit of media we get from the game's most interesting voice.

Yeah bro, it kinda sucks. 


Rolling Stone:

"He splutters and wails over tracks stuffed with aggro stomp and bland riffage; it sounds like he's been holing up with a bunch of Spymob and Incubus records."


The Guardian:

"Artistically, at least, rap-metal seems to be pop's own Red Bull Flugtag: the best you can hope for is an inglorious plummet."


Chicago Tribune:

"The lyrics are crushingly banal. Wayne revels in his cartoonish persona, but some of his lines wouldn't get a laugh in a high school locker room."


London Times:

"The New Orleans rapper can't sing a note so the Auto Tune is set to 'Annoy.'"


Entertainment Weekly:

"A nimble, almost balletic rapper on countless mixtapes, singles, and Billboard-topping collaborations, the 27-year-old comes across both muddled and belligerent on the much-delayed, extensively leaked Rebirth."
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About this Archive

This page is an archive of recent entries in the Streets is Talking category.

Stimuli is the previous category.

That Ain't Hip-Hop is the next category.

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Co-founder/Executive Editor: Reggie Ugwu

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